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Appeals Court: By Citation By Name Search Land Court: By Date By Docket No. James Bond in a novel, film, or video game. There is no set rule on what kind of person a Bond girl will be or what role she will play. She may be an ally or an enemy of Bond, pivotal to the mission or simply eye candy. This article relies too much on references to primary sources. This article or section possibly contains synthesis of material which does not verifiably mention or relate to the main topic. Nearly all of Ian Fleming’s Bond novels and short stories include one or more female characters who can be said to qualify as Bond girls, most of whom have been adapted for the screen.

Bond girls conform to a fairly well-defined standard of beauty. They possess splendid figures and tend to dress in a slightly masculine, assertive fashion, wear little jewellery—and that in a masculine cut—wide leather belts, and square-toed leather shoes. There is some variation in dress, though: Bond girls have made their initial appearances in evening wear, in bra and panties and, on occasion, naked. The best-known characteristic of Bond girls apart from their uniform beauty is their pattern of sexually suggestive names, such as Pussy Galore.

Names with less obvious meanings are sometimes explained in the novels. Quite often those previous experiences have not been positive, and many Bond girls have had sexual violence inflicted on them in the past which has caused them to feel alienated from all men—until Bond comes along. In Fleming’s novels, many Bond girls have some sort of independent job or even career, often one that was considered inappropriate for women in the 1950s. Vesper Lynd, Gala Brand, Tatiana Romanova, Mary Ann Russell, and Mary Goodnight are in intelligence or law-enforcement work.

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