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Follow the link for more information. Drive is a 2011 American action drama film directed by the Danish filmmaker Sex and the city 2 soundtrack i am woman Winding Refn. The screenplay, written by Hossein Amini, is based on James Sallis’ 2005 novel Drive. Producers Marc Platt and Adam Siegel optioned Sallis’s novel, published in 2005, after Siegel read a review from Publishers Weekly.

Adapting the book proved to be challenging for Amini, as it had a nonlinear narrative. Before its September 2011 release, Drive had been shown at a number of film festivals, including the 2011 Cannes Film Festival, where it received a standing ovation. Refn won the festival’s Best Director Award. Standard owes protection money from his time in prison and is beaten up by Albanian gangster Cook, who demands that Standard rob a pawnshop to pay off the debt. Cook gives Benicio a bullet as a symbol that he and his mother are in danger, which the Driver takes after seeing Benicio fidgeting with it. The Driver finds and steals a 2011 Mustang GT for the job.

The heist goes awry when the pawnshop owner shoots and kills Standard after Blanche returns to the car with the money in a duffel bag. Pursued by an unrelated mysterious adversary, the Driver and Blanche escape with the money after an intense car chase. At the auto shop, Shannon offers to hide the money, but the Driver refuses. He hunts down Cook in a strip club, smashes his fingers with a hammer, threatens to kill him, and forcefeeds him the bullet that was given to Benicio. Cook reveals that Nino was behind the robbery. The Driver decides to return the money, but Nino dismisses the offer and instead sends a hitman to the Driver’s apartment building. At the pizzeria, Nino reveals to Bernie that the pawnshop money belonged to a low-level Philadelphia wise guy who is making inroads into their territory.

Bernie insults Cook and scolds Nino for stealing from the East Coast Italian Mafia, noting that their lives will be in danger if word of their involvement ever gets out. Nino from the wreck to the ocean and drowns him. I was very taken with this little crime story that James Sallis wrote. I felt that the way the world was presented in the book demanded that its true grit be retained in the script. The grit comes from seeing the world from the point of view of the driver in the car. It’s those elements that I felt were critical to retain to make this film a very unique cinematic experience.

Marc Platt on preserving the integrity of the book in the film adaptation. The novel Drive by James Sallis was published in 2005. Producers Marc Platt and Adam Siegel of Marc Platt Productions optioned the novel after Siegel read a review in Publishers Weekly. Academy Award-nominated screenwriter Hossein Amini adapted the novel for the screen. He felt it was a rare book to receive from a studio because it was short, gloomy, and like a poem. Since the novel does not present a linear story, but has many flashbacks and jumps around in time, Amini found the adaptation challenging.

A film adaptation of Drive was first announced in early 2008, with Neil Marshall set to direct what was then being described as “an L. Platt contacted actor Ryan Gosling about Drive early on. I have to work with before I go onto another career or do something else with my life. Near the top of Platt’s list was Gosling, who, despite having starred in several films of diverse genres, had never starred in anything like Drive. In an interview with Rotten Tomatoes, Gosling was asked what had attracted him to the film, and whether he had read the script at the time Jackman and director Neil Marshall were attached to it. I think that might be the original one I read. Basically when I read it, in trying to figure out who would do something like this, the only way to make sense of this is that this is a guy that’s seen too many movies, and he’s started to confuse his life for a film.

When Ryan Gosling signed on for the leading role, he was allowed to choose the director, a first in his career. A fan of his work, the actor chose the Danish filmmaker Nicolas Winding Refn. When Refn read the first screenplay for Drive, he was more intrigued by the concept of a man having a split personality, being a stuntman by day and a getaway driver at night, than the story itself. Believing that the director might be intimidated by the script as it was unlike anything he had done before, Gosling had concerns about Refn’s desire to participate.